Painter Ken Danby dies at 67
Sep 24, 2007 04:31 PM
Lee-Anne Goodman
THE CANADIAN PRESS/Ken Danby, recognized as one of the world’s foremost realist artists and best-known in Canada for his iconic hockey painting, At The Crease, has died at the age of 67 while canoeing in Algonquin Park.
Born in Sault Ste. Marie, Danby’s vast portfolio includes everything from portraits of famous Canadians to athletes in mid-play and landscape paintings so crystalline that at first glance they resemble photographs.
“He aspired to be — and in many ways achieved — the status of Canada’s storyteller,” Matthew Teitelbaum, director of the Art Gallery of Ontario, said in an interview today.
“He wanted to be an artist who painted Canada in its heroic moments and in its everyday moments . . . he wanted to tell people through his art that you could paint realistically and capture great emotion and generate great feeling, and he did.”
Ken McGee, manager of the Danby Studio in Guelph, called his friend a Canadian treasure.
“He’s been called a national icon and that’s basically what he was,” McGee said today.
The prolific artist was said to have known from a young age that he wanted to paint, and enrolled in the Ontario College of Art in 1958.
Danby’s first one-man show in 1964 sold out, an occurrence that would become commonplace as his work proved popular with private, corporate and museum collectors.
When asked to identify his favourite work, the prolific Danby frequently replied: “My next one.”
His 1972 painting of a masked hockey goalie hunched in the crease is considered by many to be a Canadian national symbol and is sometimes mistakenly thought to be a portrait of legendary netminder Ken Dryden.
Lacing Up, another hockey painting of someone tying his skates in a locker room, is almost equally iconic.
On his website, Danby recalled an encounter about At The Crease.
“One day, a woman complimented me on my painting At the Crease, which she referred to as ‘that painting you did of the goalie, Ken Dryden,”’ he recalled.
“She said that she had long had a print of it in her home and really enjoyed it. I thanked her, but also explained that, ‘It isn’t an image of Ken Dryden.’
“Looking puzzled, she replied, ‘Yes it is.’ I responded, ’No it isn’t.’ After a long pause, she loudly exclaimed, ’Yes it is!’ I quickly apologized, with the sudden realization that she was right. It’s really whomever one wants it to be.”
The goalie painting is Danby’s most successful but there’s a lot more to his portfolio, McGee said.
“It’s a worldwide image now. Over the years we have sold literally hundreds of thousands of those images — anybody who knows hockey knows that image and therefore knows Ken Danby,” he said.
“But his reputation seemed to be, from the public point of view, that of a sports artist and he was certainly much, much, much more than that. His works ranged from sports images and panoramic landscapes to huge oils and figurative works and just some stunning works. Particularly in the last few years, his work has expanded both in size and imagery.”
Ken Danby’s At the Crease.
In the 1980s, Danby prepared a series of watercolours on the Americas Cup and the Canadian athletes at the 1984 Winter Olympics in Sarajevo.
He also served on the governing board of the Canada Council and as a member of the Board of Trustees of the National Gallery of Canada.
McGee said that Danby, who continued to paint avidly, was on the lookout for new inspiration while canoeing with his wife, Gillian, in Ontario’s pristine Algonquin Park on Sunday.
“He died gathering information for more paintings,” said McGee, who remembered his friend as “amenable, friendly, approachable, kind and generous.”
Danby was also touched by admirers of his work.
“When my painting, Acapulco, was first exhibited, I happened to be in the gallery one day and observed a gentleman standing in front of it for the longest time, seemingly lost in thought,” he once recalled.
“Suddenly and quite unconsciously, I’m sure, he concluded his absorption by rising up on tip-toes, as if by doing so he just might be able to see behind the diving board. What a compliment!”
Danby was a big supporter of the arts, and frequently railed against the lack of arts education in the public school system.
“The arts are just as important as math and science in education, and just as important as any other endeavour in our lives,” he said.
“Art is a necessity. Art is an absolutely essential part of our enlightenment process. We cannot, as a species, as a civilized society, regard ourselves as being enlightened without the arts.”
In 1975, Danby was elected a member of the Royal Canadian Academy of Arts. He was also a recipient of the Jessie Dow Prize, the 125th Anniversary Commemorative Medal of Canada, the City of Sault Ste. Marie’s Award of Merit and both the Queen’s Silver and Golden Jubilee Medals.
In 2001, he was vested in both the Order of Ontario and the Order of Canada.
Ontario provincial police say Danby collapsed while canoeing on North Tea Lake. He was transported by air ambulance to North Bay General Hospital where he was pronounced dead.
He leaves his wife and three sons.
画家辞世
加拿大最著名的现实主义画家丹比(Ken Danby)周日逝世，年仅67岁。丹比的代表作是反映冰球守门员的At The Crease，他的画作包括加拿大名人肖像、比赛中的运动员、风景画，画风十分逼真，人们第一眼误以为是照片。
加拿大现实主义画家肯·丹比去世
新华网 2007-09-25 16:00:40
新华报业网讯 据此间媒体24日报道，在世界画坛享有盛誉的加拿大现实主义画家肯·丹比23日去世，享年67岁。丹比工作室负责人格雷格·麦基说，丹比是23日在安大略省阿岗昆公园里划独木舟时突发意外去世的。初步推测他可能死于心脏病，但确切死因要等尸检结果出来后才能知道。
丹比1940年出生于加拿大安大略省，曾就读安大略省艺术学院，1964年首次在多伦多举办个人画展即大获成功。他被认为是世界最杰出的现实主义画家之一，擅长人像和山水画，作品充满强烈的现实主义色彩。
对冰球的热爱使丹比成功创作出一系列以这一运动为主题的作品，其中1972年创作的头戴面具的冰球守门员的画像享誉世界。
丹比曾担任加拿大国家美术馆理事、加拿大艺术委员会委员。他的作品被纽约现代艺术馆、芝加哥艺术学院等机构收藏。
